February 8, 2010

Naughty bits: #1 Nudey rudey

Coming to the end of this blog writing malarky (Yes, it’s true folks…the Travelog’s days are numbered…I know all three of my regular readers will be crying into their cornflakes), I realised that it’s been quite a clean blog with no mention of anything remotely naughty – if the film classifying board gave me a PG they’d be being nice. So I’ve decided to pop in a few little anecdotes from the last few months that may tickle you, and may raise my classification up to at least a 12.

Nudey Rudey
It may just be me but fill me with beer and put me by a lake, or in fact any body of water and I will get naked and go for a swim. It just seems like the most natural thing in the world at the time, and even a couple of occasions when this has proved a little embarrassing have not been able to stop me.

So, the first night we were staying on the banks of Lake Toba – this most amazing volcanic lake – and on the Bintang, this bud of an idea starts to form. By beer three it’s in full bloom, by beer four its been planted in other fertile minds. Five pints of your best Indonesian brew and it’s grown into the best ill-thought out plan of all time.

Tripping down to the dock, there’s a lot of that shhhhing that you do when you’re pissed and doing something a bit naughty and lots of giggles. Clothes come off, and dive bombs are made. So far so good. It was only when getting out that I failed to see a concrete pilon with a load of rusty metal sticking out of it (it was VERY dark) and went (bare) arse over (nudey) tit. Cue blood everywhere, a very skinned knee, and a very red face for Sarah.

Stay tuned for the next installment soon…

February 8, 2010

Snaps anonymous

I think I'm turning Japanese. I really think so.

My name is Sarah and I am a photoholic. There, what a relief, I’ve finally admitted that I have a problem and it’s not being able to stop taking pictures. I have taken almost 8,000 in the last 9 months. That’s at least 25 a day.

Somedays I feel better and I can making til noon without taking a picture. But then I go on binges – at Angkor Wat I took 600 in 3 days.

I think I’ve got EPS (Excessive Photography Syndrome). I’ve got all the symptoms: my dreams have a black viewfinder around them. I’m starting to get RSI in my shutter finger. I look at everything from 27 different angles, to make sure I haven’t missed ‘the’ shot. I take pictures of manholes, drain pipes, paving slabs that look arty.

I know I’m not alone. The Japanese have been famed for their EPS for years – apparently a secret virus in the 1980s was to blame. Other nations caught it with the spread of digital cameras and now these sick, sick people are everywhere.

I’ve seen them at palaces and temples: with their DSLRs, their big camera bags and their hungry, desperate eyes. What if they go home without that perfect shot? A scary thought. Better take a few more to make sure.

Some of them are worse than even me. I once saw a man take a picture of a napkin, yesterday there were a dozen people at Hong Kong Airport snapping away at nothing and – twice – I’ve seen visitors to museums actually videoing the exhibits (I feel so so sorry for the friends who have to sit through that).

I’ve had my EPS for years as mates of mine will attest, having been at the receiving end of my having to capture every last second of party footage for a posterity that, now, we all would be happy enough to remember hazily, if at all.

My symptoms have got much worse, however, since I got my DSLR, which takes photos of stunning quality. It’s digital so – in theory – I can take what I want and edit them later. But who does that? So they sit there in my computer: all those useless blurry shots of flowers, cheese, my mate’s ear. A waste of space, energy, time, life.

It’s the pressure of having to make every moment of a trip of a lifetime count that has turned me into a photo-monster.

But I don’t want to be one of those people who terrorise loved ones with hundreds of pictures. And I don’t want to be someone weighed down by the weight of these moments, nor do I want them jamming up my disk drive forever.

I need a photo-sorting minion to unsentimentally delete the chaff and keep that rare diamond that I’m convinced is somewhere in there. And I need rehab. So, friends and family, if you’re reading this, please wrestle my camera from me the minute I get home and keep it away from me for a good month while I go cold turkey. Stop me before I shoot again.

February 8, 2010

Goodbye HK, Hello KL

And so I was back in Malaysia, after the worse flight of my life turbulence-wise. It was like King Kong was trying to shake us out of the sky. Maybe it was a space lizard?

The leaving of Hong Kong was fun, with drinks on Friday night. I put in a request for the next job that comes up at Ink Hong Kong so perhaps I will be back there one day.

It’s strange being back in KL. In one way it’s comforting because there’s something so easy about southeast Asia – the sunshine, the prices, the fantastically interesting culture – but I’m writing this in the hostel we first stayed when we got to KL in May – the place I wrote my first blog almost nine months ago – and I do feel sad about the way things have turned out, and that my trip is almost over.

Still, I have a little while left and I’m going to make the most of it. Working on a piece on KL today, and then tomorrow off to Malacca for Chinese New Year and to hit the beach. And wherever God closes a door somewhere he opens a window, blah blah blah.

February 4, 2010

How now, Macau?

St Paul's, Macau: a Bible of the Poor

Since Macau has dozens of whole churches, it’s strange that the city’s most famous sight is just a piece of one.

All that remains of St Paul’s (a Jesuit church built in 1602) is the ornate facade, the rest having burnt in a fire in the 19th century. Despite it being in ruins, it’s still considered to be one of the best examples of Christian iconography in Asia. Its moldings, columns and statuettes are more than decoration – they make up what is known as a ’sermon in stone’, or a Biblia Pauperum – ‘Bible of the poor’ – aiming to teach the illiterate about the tenets of Christianity.

Working out the meanings of each element of this architectural doctrine is pretty easy really. The columns at the bottom are purely decorative, symbolising the support and strength of the church; the dove at the top is the Holy Spirit, part of a trinity that includes God the father and the baby Jesus (also pictured). The middle two tiers show the linking of the divine and the profane: tier two shows the cult of the Virgin Mary, and the first tier four Jesuit doctors of the church who were made saints – Francisco de Borja, St Ignatius Loyola, St Francis Xavier and Luis Gonzaga.

In a time when there was much in-fighting between the Jesuits and other Christian factions, the facade had a political message as well as a religious one. Like a party political broadcast, these pious Jesuits were bigging up their cause: not only highlighting their direct links with God but the congregation’s chance to become holy themselves.

Back in the Middle Ages being sainted was the equivalent of winning the lottery, because, when everyone believed in an afterlife, goods on earth were nothing to the rewards of heaven.

Although St Pauls is probably the best example of the way that propaganda has been used to legitimise the social order in Macau’s history, it wasn’t the only one I saw on my weekend here. Just up the road from the ruins is the Macau Museum, the typical city museum collection of the usual artifacts, but atmospherically bundled up into the Forteleza de Monte – a 17th century Portuguese fort. Not only is it the best way to get to grips with the history of the city but, until mid-March, it is also home to another great example of propaganda: “Red Years – Exhibition of Photographs by Zheng Jingkang”.

Baby kissing: Chinese propaganda from Zheng Jingkang

Jingkang was one of the treasured masters of Chinese misinformation and the images on show, from just pre- and post- World War II, are revealing of the official party line. Shot to order, there are baby kissing pictures, abundant harvests, hard working farmers and cheering children. No sign of the post-war starvation or destitution that other histories would tell us existed in China at this time.

Fresh from seeing these two examples of coercion through imagery, I set off to explore what Macau is now most famous for – gambling. The massive boom in gambling culture in the 90s and noughties (in 2007 it overtook Las Vegas as the biggest gambling centre in the world), combined with the material element of Chinese culture makes it a formidable neon Mecca.

And of course, to legitimise the creation of all these casinos – 32 at last count – the city’s billionaire backers have had to create a hype born of the illusion of winning.

From the nonsense slogan of the city itself: “A world of difference, the difference is Macau,” to the mottos on billboards, cabs, posters: “lets get lucky” in the “city of dreams”, and motifs of diamonds and dollar signs everywhere, the visual message implicit in advertising is one of chance, of happiness, of get-rich-quick. And the temples of this new Macau religion – the enormous Grand Lisboa, the embarrassingly large Venetian, complete with its gondalas and Grand Canal, The Wynn and its musical fountain shows – easily dwarf its old Portuguese churches.

Building the Grand Lisboa: is this the ugliest building of all time?

A great shame, because if it was a bit of a less vulgar, money-grabbing place of severe inequality and greed it might make a charming getaway from Hong Kong. Its old town is delightful and some of the Portuguese and Macau food is delicious.

But this rocky outcrop just of the Guangzhou coast was one of the earliest European colonies, for four hundred years it has been a blank canvas for all the tales that ruling powers tell. The lies of Colonial-Christian benevolence, of Communist productivity, and now the ultimate fiction of the lucky gambler.

February 2, 2010

Is that a Twix in your pocket?

Chocolate: the edible euphemism

In newsagents in Hong Kong condoms are sold in front of the counter in bright Durex packets of every colour, flavour and variety – a cornucopia of contraception, if you will.

This baffles me as I come from the UK, where that shelf space is usually reserved for chocolate bars; prophylactics (ahem), if they are sold at all, are shunted into some dusty corner with other embarrassing items like Tampax and Preparation H.

I wondered: is Seven 11 is a one-size-fits-all advert for these by-the-checkout goodies? And why do they display their johnnies right by the counter?

This upfront attitude to sex – even if it’s just up front of the cash register – is quite refreshing for a buttoned up Brit. There’s something in most of us Brits that makes us want to titter when we see a box of Pei Dang Vi (in Hong Kong – literally ‘Bulletproof Vest’), many of us remembering all too well those days we used to blow them up to make spermicidally-greasy balloons.

It’s quite fitting that in Hong Kong rubbers fill the role that chocolate bars do for us at home – that of the impulse counter buy. After all, of course, sex does fulfill some of the same roles as a bar of chocolate. Literally, in the famous case of Marianne Faithful and the Mars Bar.

Advertising agencies in the UK would have us believe that chocolate is an acceptable replacement for sex. Those models in chocolate ads are constantly copulating with confectionary: dribbling over Flakes, undressing – sorry, unwrapping – silky bars of Galaxy Caramel, or runinng their lips and teeth over the shell of a chocolate coated Magnum. Not to mention the fairly sinister man breaking into a woman’s flat ‘All because the lady loves…’ (a rape fantasy).

Chocolate is an edible euphemism for us Brits. We get embarrassed if sex is too in your face, while Hong Kongers don’t seem to have that problem – ‘top shelf’ mags are on the middle shelf, and our behind-the -counter goodies are right up front (confining those poor Twirls and Time Outs to the back of the shop).

I do wonder if Hong Kongers’ upfront attitude to product placement translates to real life situations. Where in the UK you might get office workers offering to buy their crush a little something extra on the chocolate run, do they here pick up love gloves instead of maltesers and head to the loo for a different kind of sugar rush? It certainly brings a new meaning to the slogan ‘Twix Fits’.

But maybe I’ve got the wrong end of the chocolate-or-latex-covered stick here? It’s easy to forget sometimes that Hong Kong is a part of China; this eye-catching display of French letters might be a ploy to promote the Chinese one-child policy? The chocolate-bar-placement in British shops is famously good at attracting the kids (good old ‘pester power’), so perhaps these displays are a bit of sex education for one and all, getting the little ‘uns used to the idea
of wearing a raincoat?

Or perhaps it’s moving the chocolate away from eye level that’s important? A way of stopping child obesity, perhaps? Good thinking Hong Kong…Maybe if the UK swapped the chocolate for condoms we’d have less fat children? And less fat children having children of their own.

January 26, 2010

Go with the flow

So it was the end of my second week in Hong Kong and time was starting to fly past. My job was taking me to new and wonderful places: out for slap up feeds, my first fashion show and now this – a Feng Shui class.

But the Feng Shui wasn’t just free for me. Part of a tourist board initiative, the class is offered as a free introduction for visitors into traditional activities. In addition to Feng Shui, Discover Hong Kong offers Chinese cake baking, contemporary medicine, Cantonese Opera and martial arts. I went to take some snaps of the class for a feature and found myself joining a class of American college students all born in the year of the sheep (1991).

This was my first taste of Feng Shui, unless you count an ill-fated episode during my teenage years when, during exam week, I rearranged all the furniture in my room as the ultimate act of procrastination.

Feng Shui (pronounced ‘Fong Shway’ in Mandarin) saw a huge boost in the west during the early 90s and gift shops stocked up on wind chimes and tiny fountains; on Changing Rooms Laurence Llewellyn Bowen talked endlessly of Chi. I thought – like most people – that it was a load of hokkum. But the Hong Kong Chinese are a very pragmatic lot and not liable to leave anything as important as luck to chance; people here have their homes, offices and lives thoroughly ‘Feng Shuied’ by Geomancers.

The class was great fun and it was interesting learning about technique, although at one point one of the girls asked the teacher why there was an object in the spot where it would bring the exact worst energy to his Chi and the guy had no comeback – so much for 20 years as a FS Master.

That evening – thanks to wheedling myself a free week’s trial at Fitness First – I also got to try that other great art of flowing energies: Tai Chi. This was much more interesting and I could feel the benefits in concentration after just one class. We learned a few postures and then partnered up for some ‘Pushing Hand’, where you learn to grapple with another person. As usual at this stuff I was a total malco but my partner was calm and patient (as you would expect from a follower of this most gentle of martial arts) and I mastered some of the technique.

So there you have it – two totally free ways to enjoy some traditional Chinese culture and help exercise your Chi.

January 25, 2010

On the south side: an afternoon in Stanley

“Eeeeeerrrrrrrrrrrrrrrrrkkkk!”

The bus gives an alarming lurch as we swing round another corner, the driver seemingly with one foot hard onto the accelerator, the other just a forcefully applied to the brake. My hand, trying in vain to scribble in my notebook, swerves off the page again, providing another useful line of blue biro to add to my recent collection.

I’m taking the express bus from Causeway Bay down to the south of Hong Kong island for shopping, lunch and a bit of a wander, but I’m petrified that I might not make it. The bus is obviously called an Express for a reason: the bat-out-of-hell thundercat at the wheel. Every time we hit a corner on this very windy cross-island highway she accelerates – hard – and I debate whether I will reach my destination in one piece.

I think about asking her to slow down but the supremely English need never to make a fuss has me by the metaphorical balls so I just put my notebook down and hold on for dear life, trying to concentrate instead on the scenery.

Despite the hazy mist of a Hong Kong winter’s day, I can see why the south of the island is often regarded as its most beautiful landscape. Even in the midst of the ‘Bitter Moon’ (the coldest time of year) the sea is a delicious turquoise and the land rises steeply from the beach-lined coastline into pretty hump-backed hills.

Despite the winter haze, Stanley's bay is very blue-tiful

Unlike skyscraper-filled Central, the scenery has changed so little in the south over the last 150 years that you could recognize it from early colonial paintings: the same calm bays and hill forts (although these tend to be museums or hotels now). As the bus lurches through Deep Water Bay and on into Stanley, I half close my eyes (which I am doing intermittently anyway out of terror) and I can imagine those bay-moored yachts are a flotilla of galleons, full of spices from the East Indies.

We screech to a halt in the southern town of Stanley, the brakes making a ‘Kerrrchunk’ noise that makes me throw myself off with gratitude. I trot down the hill for a browse around the market, which is Stanley’s main attraction and one of the best places to pick up all kind of Chinesey crap for your mantelpiece. I manage to curb my spending madness for the most part (for once), although I have to confess to getting sucked into buying some Mao Tse Tung communist drinks coasters (just right for annoying Tory friends).

After an hour or so browsing the pretty knick-knacks of the market, I’m a bit cold and very hungry so decide it’s time for some lunch. Hitting an LP-recommended cheapo, Toby’s Inn, I order my first real dim sum (or as they call it here ‘Yum Cha’ – to take tea), asking the bemused waiter to just bring me a few ‘bits of whatever’s good’.

Looking around, the reason for his bemusement becomes clearer. I’m the only non-Chinese face in the whole restaurant and was getting some curious looks. The place is heaving. All kinds of people are out ‘taking tea’ for Sunday lunch – it’s a very typical Hongkongese activity. There are a number of big family groups (one with the typical screaming baby), singles, couples, friends. A boy of about five sits next to his scolding mother stuffing rice into his mouth as fast as it will fit, mastering his chopsticks in a way that puts this fork-loving pretender to shame.

The ‘bits of something good’, when they come after about 2 minutes, were just that. Exactly as I had imagined real Chinese dim sum to be – hot, comforting and just fatty enough, like a meaty bowl of chicken soup – there are three wicker bowls straight from the steamer. A wrapped leaf with rice that turns out to contain chunks of marinated pork, three dumplings – surprisingly light and lemony, and some steamed rolls, each contained an unbelievably moist chicken wing, the meat tumbling out of the wrapper and almost into my tea cup. I drink tiny cup after tiny cup of the tea to wash all of this down, feeling gradually warmed from the core out.

Yum Cha: what the Cantonese call Dim Sum. And 'Yum' is right!

Afterwards I roll out of the restaurant in a cloud of warm chicken-infused air. Disgusted with my piggery, I direct all my powers into a desperate attempt at digestion. (By this point I’m not surprised it’s considered good manners in China to burp after a meal, just slightly surprised that it’s not also polite to fart, belch or vomit a little on the floor (a la the Romans), just out of sheer necessity.) I suggest to myself a bracing walk along the promenade, sucking down lungfuls of cold air as a digestif.

The harbour front provides a glimpse into another world. While in Toby’s Inn I was the only European, here I could be strolling along the Riviera, with dozens of families sitting out in the winter sunshine at posh pubs and bistros, with hardly a Chinese face among them. I do see a couple of Chinese taitais (ladies who lunch) doing what they do best, complete with tiny handbag-dogs, both sporting fashionable outfits. And yes I do mean the dogs, not just the women.

Surprisingly, rather than the Pekinese or Shih Tzus or other Asian dog breeds, most Hong Kong dogs I have seen here are decidedly British: labs and retrievers, Scotties, Yorkies…even a Corgi or two. But then Stanley seems rather a British place, with the exception of the Chinese-style tat in the market. It was the British ruler’s first administrative centre straight after the First Opium Wars, named after Lord Stanley, 14th Earl of Derby, Secretary of State for War and the Colonies and the town’s landmarks include Murray House, a 19th century building with elaborate colonnades that couldn’t look more colonial if it had a Union Jack paint job and a man in a three-cornered hat doing a little dance on the roof, and – just out of town – the Stanley Military Cemetery, where hundreds of British colonials were buried during the second world war.

It seems to be my fate, having once been a geneournalist (my soon-to-be-patented term for a family history journalist), to end up in a huge number of cemeteries. While I was editor at FHM I took pictures in graveyards as far-flung as Edinburgh, Belfast, St Albans, The Gambia, Thailand. And here I found myself in Hong Kong doing it again. OK, this was for a freelance piece so I will be paid for them, but God, did it feel like a Busman’s Holiday.

The overwhelming majority of the deaths remembered here were from fighting or internment during WWII (the topic of a piece I’m writing), and just reading names and dates tells a gruesome story. At the entrance to the cemetery starts a long line of young soldiers – British and Canadian – all of whom died in just a few days of December 1941, in an ultimately cursed attempt to stop the Japanese invasion.

Hong Kong's fallen volunteers at the Stanley Military Cemetery

Towards the back of the cemetery there are a number of rough-hewn lumps of stone with wobbly black engravings – these all date from 1942-5, and belong to civilians who died in the infamous internment camps at Stanley Prison and Stanley Fort. A small circle of these belong to babies who died at just a couple of weeks or months old. And then there’s a mass grave with the names of 30 people who died in an air raid in 1945, not 2 months before the war’s end. An air raid by the British on their countrymen in the camps – friendly fire, at its most pathetic.

After snapping enough pics to keep the good readers of FHM happy for months, I turn and walk back into town, taking in the bay, the dog walkers, the last few stragglers on the beach as the sun started to set. I like the old-fashioned feel of the place, understand why this has been a popular settlement since the Brits first landed back in the 1840s.

Stanley would be a great place to live, I think – good food, good beaches, lots to do. And it’s easy to get here from Central. I’d definitely come back again. But next time I’ll be taking the slow bus.

January 21, 2010

Fashionista

Every girl loves her first fashion show, don't they?

My life in Hong Kong has turned out so far to be more glamorous than one might expect of a homeless magazine intern with a pocket full of moths and exactly two contacts. The free flat, free lunches, the free drinks in cool Soho bars, the free gym membership…I was in freebie heaven even before I was invited to Hong Kong Fashion Week to check out Vivienne Westwood’s Anglomania show.

The Convention and Exhibition Centre in Wanchai, where it was held, is so huge that it took me 23 minutes to get to the Grand Hall from the entrance. I knew I’d come to the right place as everyone was wearing black – the women with 3-inch spiked heels, the men with 3-inch spiked hair. Luckily I also looked the part, having chosen my corporate Barbie look that morning.

I shuffled up to the press desk and had a mild altercation with the stupid bimbo on the desk, who attempted to justify a policy of no-pre-registration, seemingly unaware that she was talking to someone who had bothered to pre-register and so had a fair idea that she just meant ‘I’ve left the press list in my office’. I wasn’t the only person talking very slowly through gritted teeth, but still (massive moment of snobbery, sorry!) what kind of intellect do you expect from a fashion PR?

Inner rant over, I snuck through the ropes, past the press pit, where the paps and the papes were lingering for the celebrity arrivals, and into the arena. The runway wasn’t as tall as I’d expected – more like a wide step down the centre of the room, painted a dark chalky red. Giant cardboard letters specifying which pen people had been allocated backed banks of covered chairs up both sides. As I was directed to my seat in ‘D’ by someone who could only be an art student (glasses with plain glass, some kind of Nuevo spiked mullet), I felt a frisson of excitement to be at my first ever fashion show.

It wasn’t really my thing of course: the loudspeakers were pumping out some typically arty whale-sex music, like a 25th century cover of Holst’s Planets, while the girl next to me kept making cooey noises and fluttering her fingers at people who were undoubtedly someone in the bank of chairs across from us. I couldn’t help a smattering of schadenfreude when she was totally ignored.

Still, when the lights went down and the music started rocking out, I sat bolt up and was hooked throughout. It’s a lot faster than I thought it would be. Models practically sprint down the catwalk (catrun?), looking like a stop-motion video of wild horses.

They exude sex – this also surprised me, as they’ve got such boyish, boobless figures – they smoulder, they strut, they could kill you with a look. It helps that they walk from their hips – when your groin enters a room full of people before you do it does send a bit of a message – but this sex appeal screams confidence and sophistication. Needless to say I have been practising my model walk ever since.

The clothes were great too, for the most part – and it wasn’t too mental, considering the rep Viv has in the press (aside from a wicker hat shaped like a wedding cake that did the impossible and made a male model look like a homeless troll).

Strutting their stuff

It was all over way too quickly. I only had time as each passed to make a quick note and to wow, or frown, at what they had on. But I had a great time, especially when I got my aftershow goody bag (more freebies for the freebie queen!)

And I learnt a little something, I think. For anyone who cares to know what we’ll be wearing next winter: skirts and dresses with big prints and lots of volume, capes (lots of capes), hats (sailors’, baker boys’, aforementioned wicker cakes), patterned leggings, high-waisted trews (for men) and high high heels for the girls (natch).

Well, some people will be wearing that. Most of us will be wearing whatever they’re selling in Warehouse or Top Shop or Primark, sadly. Unless someone wants to give me some designer freebies? …Viv?

Homeless, jobless...suddenly glamorous. Who knew?

January 20, 2010

Keeping it together

Spelling errors aside, I feel your pain pal. I really do.

When you break up with someone there are supposedly four stages of recovery: denial, anger, grief and acceptance. After my split in November, I Googled ‘what to expect’ – a callous approach maybe, scientific definitely – but forewarned is forearmed so they say.

Bollocks. What a load of rubbish. First of all how can anyone quantify or qualify the pain of another person? Those basic categories aren’t adequate to cover what the person – whether dumper or dumpee – is feeling. They can’t hope to cover the bone grinding confusion of a person’s emotions when they have ripped themselves apart from their ‘other half’.

But at that point I was still blissfully hopeful that I’d pass through these phases in no time and be free and clear. I even – having found out what to expect from the grieving process – tried to cheat mine. My plan was to take away the fear of nostalgia by listening to all of ‘our’ songs; all those happy and sad songs that made me feel something. Then – clever reasoning I thought – I would take away their power.

If I listened to them, loud and all at once with the lights on, then they wouldn’t be able to creep up and take me by surprise. I sometimes do the same thing with scary films, reading the biogs online or asking people the end before I watch them. I especially hate those bits when someone jumps out at you (I call them ‘pop ups’). There’s nothing like a shock to rattle you to make you feel momentarily unhinged. Enough of these little shocks and that’s what makes the emotional wrecks of this world scared of their own shadow.

Anyway, a couple of nights of do-it-yourself karaoke (singing into a bottle of mosquito repellent) and I thought I’d covered all those songs that might jump out and have me weeping. The good (Romeo and Juliet – Dire Straights), the bad (Cutting Crew – Died in your arms) and the downright embarrassing (Elaine Paige – I know him so well). I felt powerful…having disarmed all those audio bombs waiting to explode and disrupt my sanctity, security and sanity.

I was ok with the fact that all the experts say you have to ‘allow yourself time to cry’. I just wanted this to happen on my schedule, with dignity and privacy. I didn’t stop with the music, I put up all sorts of barricades: setting up a mental air raid shelter; if grief had declared war on me then I was going to keep it out, or only deal with it on my terms.

In my modern answer to Appeasement, I contacted all my close friends straight away so no one would be able to provide a stomach-bottoming jolt with the words ‘love to Jamie’. Changed my status on Facebook, which in this day and age makes the whole thing scarily real. Made a mental note to stay away from Transformers, Arnie films, The Shield – anything he loved. Outside the UK this wasn’t too hard.

But.

Just like Chamberlain before me, I learnt that Appeasement doesn’t work, especially when your enemy is stronger than yourself.

At first, there were yellow days, red days and blue days. Yellow days I could handle. Those were the positive thinking, plenty-more-fish-in-the-sea, too-good-for-him, get-on-with-my-life days. Red days…days when I wanted to rave and scream with rage (and sometimes did)…were manageable too, after a few primal screams. But then there were blue days, when anything from a cup of tea to a kind word could set me off. And I thought my eyes would fall out. I lost weight just from the water loss.

As time went on, all these colours faded to gray and days began to return to a kind of drab normality. I understood then what they meant, those experts, by the word grief. Part three. There was suddenly a heaviness there, a physicality, a certainty of loss.

Your mind can’t get used to the idea that they’re not there and you keep expecting them to wander back into your life nonchalantly, like they’d just popped to the loo. About 50 times a day you suddenly want to ask them something, or to tell them something funny and they’re not there. Those are the moments when you realize you’re alone.

And then the pop ups begin. In moments alone my memory would flash up a smile or a word and I’d dissolve. Or I’d be in a shop and suddenly have to leave because I’d seen a carton of his favourite soya milk. A McDonald’s chip choked me with nostalgia for trips to motorway service stations, for God’s sake.

Despite my best-laid plans, songs were still taking me by surprise too. The worst was a Friday night in a bar in Hanoi when I completely dissolved to the Spice Girls Viva Forever [God help me]. And there were others. ABC’s Broken Arrow; Maroon Five’s This Love; Phil Collins, Against all Odds. Bad taste stuff all, mostly because these are the songs of very public places. The songs they play in airport lounges, on the radio, at work; which leave you in a flurry to turn it off, leave the room, and leave the country so the waterworks don’t start.

I want to scream: “When will I stop being the victim of my emotions?”

Ironically, it’s only after you surrender that you start to heal. Bowed over by the sleeplessness, the raw emotion, you finally start to deal with things one moment at a time. Walking before you try to run.

You might not be able to trick or appease your grief away but there are things that help you get over it, or make you feel better for a little while. Hot baths are always my mum’s solution to everything and I’m pleased to report success from this quarter (although backpacking it’s tiny showers a-go-go). A bottle of wine and a girly chat, a slap up dinner and generally treating yourself to whatever you want (see my dress blog) – unsurprisingly that works too. And reading. One day spent on buses in Thailand I read Nick Hornby’s High Fidelity three times from front to back. Talk about self-help books.

And I am much better. At least these days I manage to confine my crying to private times and places. The pop ups are under control too, even though that hot prickly feeling up the nose and in the eyelids still happens a dozen times a week. Maybe I’m coming out of phase three and into acceptance. I do hope so. Even if just for pride’s sake it’s time to be healed now.

But I suppose it depends what you mean by acceptance. For me I guess it’s taking on board three things:
1. He’s never coming home again.
2. He’s nothing to do with me anymore.
3. There’s no reason to think about him every day.

I’ll let you know when I get there.

January 20, 2010

Today I will be mostly reading…

Simple, impartial, humorous...my kind of magazine


I have just found a great online magazine for travelers, travel bloggers, travel writers – www.bravenewtraveler.com. Seems to have everything fro top tips for improving group emails home and practical gumph like what to pack for a RTW trip to funny advice on nudist beaches and dorm room sex. Love it, love it, love it.